The latest. Took the stage in Chicago to talk about the role of weird the normal — and normaling the weird — sharing the poem at the spine of my book. A room full of in-house creative leaders who get it.
Panel discussion at AirOps Next on building brands for the AI era — exploring how craft, culture, systems, and storytelling evolve when both humans and machines are part of the audience.
Digging into something not so quietly reshaping our work: how AI is evolving brand, redefining who our audiences are, and what it means for our teams, our craft, and the bar for quality with Jessica Rosenberg, Paul Jun & Leland Maschmeyer.
One book. Two front covers. One side breaks the pattern, the other makes it stick.
Weird the Normal
Question everything. Break patterns. Make the familiar strange again.
A manifesto for pattern-breakers — for spotting invisible assumptions, using AI as friction not shortcut, and finding the edge cases where original ideas live.
Normal the Weird
Transform chaos into clarity. Make the impossible tangible.
The companion side — for turning visionary thinking into structure, language, and systems people can actually trust, build, and adopt.
Out The Box is a speaker series I run at HelloFresh — bringing in brilliant, unconventional voices to inspire the team and help us think differently about how we build brands. We've been joined by founders, designers, and storytellers including James Vincent (FNDR), Emmi Salonen, Matz Horsch (HOLY), and Horst Bente (AD Legacy).
No agenda agenda.
You don’t need to prepare anything.
You don’t need a “reason” to come.
You just need to show up.
If you’re in either city and want to join us — RSVP on First Things.
When we were still in the early throes of what AI could do, this is the training set of context that we used to underpin the Future Cards knowledge base — to ensure it could be a tool that helps people build their brands with purpose.
AI is a tool — what matters is when in the process you use it. As execution gets easier, strategic thinking becomes the real competitive advantage. Creativity isn't changing; how we work is.
A run of conversations recorded around the publication of Use Design to Design Change — the book on design as a force for meaningful change. Each episode pulls a different thread from the book and stretches it into a longer, looser conversation.
Speaking later this year alongside Dragons' Den heavyweights, the founder of The Big Issue, Mike Soutar (The Apprentice) and the co-founder of Shazam. Design has carved out a slot on a very traditional business stage — proof that creative thinking is the unfair advantage. Free to attend.
Twenty slides on creativity, AI, design, making, oscillation, risk, craft, weirdness and the responsibility of building culture — to a room of generous, wildly talented humans curated by Lena Pia Hammerstingl and Alessandro Amato. The reminder: making matters. Not talking about making. Making.
Shared a panel with Emmi Salonen, Emily Forgot and Laura Hunter on building sustainable creative lives. Four reminders worth keeping: wonder isn't a luxury, it's a practice; time poverty is real, not a personal failure; perfection is often just fear in a tuxedo; creative wellbeing is built in tiny, repeatable ways. Special nod to Emmi's Creative Wellbeing Handbook — and to the hand-written thank-you notes that quietly model the world the book argues for.
The Future Cards methodology, taught as a programme on Rogue School. While building the knowledge base we asked AI to reflect on its own becoming — three short artifacts from along the way. Open the notebook to dig through everything we fed it.
Google's NotebookLM was fed the source material from the AI to AI course and asked to make sense of it — synthesising lectures, references and conversations into a long-form audio briefing. Open the notebook to listen, read the auto-generated outline, or interrogate the sources directly.
Using my book Use Design To Design Change I led a series of workshops helping founding teams unpack how to launch, grow, and adapt their brand. Built around the idea that you should use your product to sell your brand — not use your brand to sell your product.
Taking part in the book event Turning The Page with a fireside chat with friend and collaborator George Philip LeBourdais (aka GP). Honoured to be featured amongst such inspiring authors.
Honoured to have a full schedule of packed classes debating the changing nature of creativity in light of AI. Deeply honoured to be doing it with friend and collaborator George Philip LeBourdais (aka GP).
It was such an honour to join the Lw3 and Creative Capital crowd for one of the most inspiring evenings I've been lucky enough to experience. To meet so many people channeling real energy and creativity toward solving enormous problems was both thrilling and deeply inspiring. A huge thank you to Farid Haque, John Darling, and Sophia Horowitz for being such generous hosts. The evening was a powerful reminder of the strength of community — when you find people whose values align, you really can move mountains. And this room was moving.
Always humbling to be asked to define what work, works. To be surrounded by such wonderful judges who all stepped up to ensure we were intentional about how we unpack and define that word 'work' is an absolute honour.
First Things Club travels well. Started as a small experiment — what happens when creative people gather with no agenda, no hierarchy, no pressure, just curiosity and care? It's now landing in cities around the world, shaped by the people who host it. Renee Pierog took the spark and ran with it for the Chicago pop-up at Longman & Eagle — beautifully timed alongside the In-House In-Focus conference for an informal moment too.
First Things is a series I run — small gatherings without an agenda, where people are safe enough to simply be human together. The Chicago edition was hosted with such care and intention by Renee Pierog. Honest conversations about the city, the creative community, and the way Chicago shows up for one another. The signal — generosity, presence — is the whole thing.
Such an honour to sit down with Rob Alderson for Design Week and share a little of my story — what I've learned, what I've unlearned, and why I'm so excited to be back in the UK.
Too normal? No one notices. Too weird? No one understands. The sweet spot? That's where culture shifts. A talk about the creative framework that's shaped much of my work over the past two decades.
It happened! 4AM and fully caffeinated with the brilliant Creative Boom crew, talking about how to Weird the Normal & Normal the Weird. Big thanks to Katy Cowan for the invite — we covered everything from AI to aesthetic intelligence to how creative thinking can reframe what culture calls "normal."
"After looking at this identity for five days, I feel like this is how supercross is meant to look, how it always should have looked and how it will continue to look for quite some time. Nice work, Zag." Thank you for the great review Jeff!
The book I'd kept saying I'd write 'one day'. A practical, personal take on design as a force for meaningful change — built from two decades of work across studios, startups, and global brands.
Creative Boom asked if they could do a profile piece on me. I obviously assumed they'd got me mixed up with someone worth profiling, but took the call to be sure.
The day we cut the ribbon on the New York studio. Myself, Ben Wright, Paul Stafford and Andrea Trabucco-Campos — four laptops, one brick wall, and a screen letting the neighbourhood know we'd arrived.
We wanted to create something beautiful each time with nice print processes, but when we knew the first eight were mapped out we wanted to tie them all together.
I was asked to be part of a group show, using ordinary objects, to make something extraordinary. Stitching together hundreds of yellow dusters, I made fun about how long the stitching was taking.
"The argument about what is public space and where work can be created is always rife in the art scene. It's easy for companies to come in and reinforce their brand, but what's clever and brave is that here they gave an incredibly open brief."
Illustration agencies are beating the downturn by looking outside their traditional client base and taking their artists to the people, using everything from social media to exhibitions and murals.
"There's a vibrant creative community in SE16 but the artists have to travel to east London if they're starting out, or west London if they are more established. The gallery will be a reason to come down to the area."
"The quality of the artist is the measure of a good screen-printing exhibition, and we have the most dedicated, persistent and thought-provoking artists working today."